Dorfner’s works act as a crystallization of the present. We live in a society that balances between the fine line of progress and tradition; his work brings together the past and present in an exciting, and often humorous, way (it’s hard not to find a Mickey Mouse tattoo on Andromache’s cheek amusing). There is a silent rebellion in his works that manifests itself as an obvious product of time. Dorfner chooses to corrupt established forms through graffiti and photo manipulation, this idea is impossible to disassociate from the images created by the Instagram generation. With the appearance of social networks, satire has transformed from written form to images; A meme is as important today as Borowitz’s review when he criticizes current events. Dorfner’s art focuses on the spectrum of social satire, passing through opposite poles with each new work.